The interview, is a remarkable moment, full of potential, an opportunity to invite another human to share themselves, their life and views with you and obviously an audience. To interview is to be a conduit for the singular to the multiple,
Swiss-born, Paris-based artist Thomas Hirschhorn talks with Tania Ketenjian about his camouflage-covered installation Utopia/Utopia One at the Wattis Institute in San Francisco, and why he wants his work to sit inside the chaos and density of the world rather than bring order to it. Recorded in 2006 for Sight Unseen.
Vivienne Westwood, equipped with both a charming accent and valuable insight into how fashion can be a medium for social change walks us through the value of technical prowess, what qualifies as real art,
It is difficult to avoid feeling deeply inspired when listening to Angela Davis advocate for abolition while standing beside one of the most infamous prisons in America,
Barry Jenkins’ relationship with San Francisco is like that of a former lover. He speaks of it warmly, critically, nostalgically, and gives us the sense that the city once promised him something it couldn’t quite deliver.
As a filmmaker, artist, and provocateur, John Waters is unparalleled in his vision and range. You have seen his work in places as wide ranging as NY galleries to an unforgettable
Laura Poitras never describes her process as fearless. If anything, she describes filmmaking as a prolonged process of entering situations she does not fully understand and staying there long enough for the contradictions to reveal themselves.
Swiss-born, Paris-based artist Thomas Hirschhorn talks with Tania Ketenjian about his camouflage-covered installation Utopia/Utopia One at the Wattis Institute in San Francisco, and why he wants his work to sit inside the chaos and density of the world rather than bring order to it. Recorded in 2006 for Sight Unseen.
It is difficult to avoid feeling deeply inspired when listening to Angela Davis advocate for abolition while standing beside one of the most infamous prisons in America,
As a filmmaker, artist, and provocateur, John Waters is unparalleled in his vision and range. You have seen his work in places as wide ranging as NY galleries to an unforgettable
Vivienne Westwood, equipped with both a charming accent and valuable insight into how fashion can be a medium for social change walks us through the value of technical prowess, what qualifies as real art,
Barry Jenkins’ relationship with San Francisco is like that of a former lover. He speaks of it warmly, critically, nostalgically, and gives us the sense that the city once promised him something it couldn’t quite deliver.
Laura Poitras never describes her process as fearless. If anything, she describes filmmaking as a prolonged process of entering situations she does not fully understand and staying there long enough for the contradictions to reveal themselves.
Swiss-born, Paris-based artist Thomas Hirschhorn talks with Tania Ketenjian about his camouflage-covered installation Utopia/Utopia One at the Wattis Institute in San Francisco, and why he wants his work to sit inside the chaos and density of the world rather than bring order to it. Recorded in 2006 for Sight Unseen.
As a filmmaker, artist, and provocateur, John Waters is unparalleled in his vision and range. You have seen his work in places as wide ranging as NY galleries to an unforgettable
Barry Jenkins’ relationship with San Francisco is like that of a former lover. He speaks of it warmly, critically, nostalgically, and gives us the sense that the city once promised him something it couldn’t quite deliver.
It is difficult to avoid feeling deeply inspired when listening to Angela Davis advocate for abolition while standing beside one of the most infamous prisons in America,
Vivienne Westwood, equipped with both a charming accent and valuable insight into how fashion can be a medium for social change walks us through the value of technical prowess, what qualifies as real art,
Laura Poitras never describes her process as fearless. If anything, she describes filmmaking as a prolonged process of entering situations she does not fully understand and staying there long enough for the contradictions to reveal themselves.
